This week we are dealing with the immediate aftermath of Cool and Hard Bop (and the continuation of “Modern Jazz”), with a special emphasis on Miles Davis and John Coltrane and their legacy in the realm of post-bop. Since many of these recordings have been so influential, we are going to dedicate a considerable about of time to looking at transcriptions and discussing the consequences of these musical developments on jazz.
ETA: I should add that the repertoire we are doing this week has, for better or worse, been very influential for contemporary students of jazz. To this day, a player’s ability to play over the “Giant Steps” changes is understood as a benchmark of ability (and is often taught in jazz programs around the country). Further, doing so without sounding like Coltrane is a further challenge. Jazz scholar David Ake has written about this particular phenomenon in Jazz Cultures.