Swing bands and orchestras were performing and rearranging their tunes at a rapid pace during this period, thus, it is very difficult to find good transcriptions of the recordings we are covering. Here is the lead sheet for “Daphne” and here is the lead sheet for “Bei Mir Bist Du Shoen.”
Next week, we will be discussing the role of women in swing during World War II. Sherry Tucker’s Swing Shift is the best discussion of the role of “all girl” swing bands during the war. Here is a chapter about the role of the “male mass audience.” I look forward to your reactions to her research and how it contrasts with the more typical picture of female jazz musicians as pianists and singers.